LET’S GETweirdtogether.

With over a decade in sound, I’ve learned to stay open. I tune into the track rather than impose my own sound. The aim is to bring out the best — with space, detail and intention.

From foley to audio synthesis, I shape sound so the world feels alive and true to the story. A quiet scene, an unfamiliar texture, a wall of noise — every detail has a place.

Music for radio, theatre and cinema. In my home studio, I can contribute a single element to your track or work through the whole production, from first sketch to final mix.

Digital scenography, audio-reactive video and images that respond to sound. Glitches, gradients and movement — another way to tell the same story.